Archives for category: Collaboration

At the end of this week I’m heading off to a Quaker Meeting House in Somerset for a two day residential retreat modelled on Matthew Burrows’ ABC Projects. Very hard to predict how this will span out but there are four of us and we will each be the focus of consideration for half a day. I’m prepping for it now.

The other three artists are Chitra Merchant, Tina Hill and Caroline Case. All women and near enough the same age. I’ll let you know how we get on.

Working towards a trip to Kölner Graphikwerkstatt. The purpose of this visit is to reconnect with Jutta Vollmer, whom I met at Liverpool’s John Moores Uni through EightDaysAWeek.

Jutta and I began working collaboratively when paired for the project PenPal in 2011 and 2012. Something integral to the partnership rang true.

Thanks to funding from a-n The Artists Information Company we have the opportunity to reconnect. At the time of applying for the funding I wasn’t sure why I felt the need but I’ve since given this a lot of thought.  Take a look at her instagram feed. I have a love hate relationship with the treatment of surfaces – decoration and pattern. I recognise this as an element of my practice needing serious examination. I think I will be able to look into it with Jutta. I’m going to suggest we create double sided drawings or prints and fold them, as a starting point. Also, using layout pads and carbon copy paper, draw sequentially and see what happens. She has a very solid drawing practice.

Here’s a recent record of play to provide visual (screen printed) content:

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owl and burn for wordpress blog
since I last blogged. Picture this: I was working in the underground bunker which houses the University’s collections of organic matter (wet and dry rooms) when my father was admitted to hospital. He was given only a short time to live. We rallied round for a couple of months and then he died, at home. A short while later there was an event celebrating his life, a life filled with art and architecture, music and natural history.

His death came less than a year after my grandmother’s, a wood engraver, designer and gardener.

I haven’t been back to the underground stores. I haven’t been able to face all the dead matter. Now when I consider those collections I think of things people haven’t managed to let go of. The University has its reasons, obviously, for hanging onto them. Multiple reasons probably.

I’m trying to process what’s happened to my dad (and my gran) and my family as a whole.  I drew him as he lay ill in bed. (He agreed to it but that was so unlike him that I now feel I stole something he wouldn’t have wanted to give had he been more ‘himself’.) I seized his shirts when they were offered. The shirts, the drawing, the writing, keeping the notes I made of meetings with the local nurses, touching and re-touching his stuff: it’s all my way of holding on to something that’s gone. I’m not going to pickle it – an idea – but I have been trying to re-create with it, a bit like in the Liverpool World Museum where the stuffed lion and zebra are poised mid-chase by the watering hole. That is a re-arranging of one reality (stuffed dead animals) to create a new one. The new one is false but looks like life. We can relate more easily to it as a result.

The work I’m making now is varied. With Lol at John Moores University, I’ve burned the drawings of my father into heavy papers, combining them with a drawing of a baby owl he would have loved. (Thank you Jay at The Owl Sanctuary, Shropshire.) I cannot bring myself to frame these even, although they would be safer framed. I find them too painful to look at.

Concurrently I’ve been re-making using one grandmother’s buttons and china left by the other. These things will take on new life recorded in photo-intaglio etchings. They will look like archive material because etching has that aesthetic somehow. Since the beginning of this project I have ‘felt’ the gap between the decorative and the ‘other’ collections at the Victoria. In my life as in the lives of my father and grandmother the decorative and the natural world have always been closely linked. I’m hoping these etchings will resonate in the overlap between the two areas of study.

Cold inside and out today, or at least it feels it. Drew and thought in the windowless stores all morning. Leonie was there, also two biology students. Went back to the human skulls and stains. Made a list of stains to research. Thought this double injection specimen would make a fantastic screen print. May have a go at making it later this week.

Drew from the skulls without producing anything of note. Lots of ideas though: how to create something similar to bone i.e. full of holes, what would I put into the cranal cavity if I were to remodel the skull in tissue nest for my own purposes? Will make a few models and upload.

Created a small intervention in the dental area of the main store room using an x-ray light box from the collection and a drawing of mine. This was something I tried to put together in August but I didn’t have the right light box. The drips are egg white. Will leave this where it is until my next visit – see if there is any response…