A difficult thing about wanting to develop as an artist (outside an arts school) is finding other people willing to give you critical feedback. The budget for this project included money for crit’s from Neil Morris and Emily Speed. (Thank you Arts Council.)

Neil Morris’s work:  highly skilled but not showing off, Neil as family, Neil as career artist, Neil as mood, it speaks to me. Neil’s experienced enough to have seen fads come and go and come again. Emily Speed’s drawing is inventive, brave, conceptual. Emily’s interests are wide and her attack is academic, she does proper research. One to watch. Superb artists and lovely people.

Last week I went back up to Liverpool to meet with Neil and Emily and have crit’s – looking at the work in the exhibition closing next month and my next project, which examines dimensionality using drawing.

Although I met with them individually they were pretty much in agreement. (I thought I’d got away with x and y but actually these people see straight through me… probably everybody does.) We talked about the ‘politeness’ of the work in relation to the beautiful room it’s in and the ‘heritage items’ incorporated in the central display cases. We talked about what it might be like to be less polite and show less respect for the original objects. We talked about what could be made to work outside the current venue and whether the work had a life beyond the show. Also, about presentation and the current trend in the visual arts to ‘devalue’ artwork by displaying it in an off-hand manner, and what it might do to the relationship between the onlooker and a piece of my work if I were to do that. And a whole lot more besides..

When someone really takes time to think about your work it’s a sign of respect. I was buoyed up. Thank you.

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